No words can adequately sum up the horror and loss experienced by the community of Newtown, Conn., in the wake of Friday’s massacre, in which most of the victims were children. U.S. President Barack Obama expressed the sentiments of more than just Americans when he said “our hearts are broken today.” Nearly every parent, every teacher, felt the same.
Within hours of the shootings, the inexorable debate began in the United States again: What can be done to stop gun violence? Obama himself signalled that the time for political action had come. “As a country, we have been through this too many times,” he said in his address to Americans Friday afternoon. “Whether it’s an elementary school in Newtown or a shopping mall in Oregon or a temple in Wisconsin or a movie theater in Aurora or a street corner in Chicago, these neighborhoods are our neighborhoods and these children are our children. And we’re going to have to come together and take meaningful action to prevent more tragedies like this, regardless of the politics.”
Just as quickly, though, the intractable voices on both sides of the U.S. gun-control debate began their braying. And given the current state of the U.S. Congress, where both the bipartisan relationship and ability to move forward on meaningful legislation ranges from dysfunctional to gridlocked, it’s already clear that no action will occur anytime soon.
Could Hollywood, however, lead where American lawmakers fail?
Let me preface my main point by saying that this is not a condemnation of the American motion picture industry. Like any other industry, it has produced some spectacular failures and some radiant gems. At this time of year, we revel in some of its best work — classic holiday films that lift spirits and convey real meaning about life and love and giving. We can scarcely imagine the holiday season without the classic celluloid of It’s a Wonderful Life, Miracle on 34th Street, Scrooge or White Christmas.
Film has, and has always had, an enormous influence on American culture and its youth. Historically, television and motion pictures have pioneered attitudinal change and the cracking of stereotypes on issues such as race, culture, class struggle and sexual orientation. Hollywood’s film industry played an enormous role in America’s coming to terms with its own ghosts and nightmares — Vietnam, assassinations, the civil rights movement, Richard Nixon, Iraq, and 9/11 among them. The film industry, which employs some of the most creative minds in the country, has enormous power, reach and influence.
So — could it lead on the issue of gun violence? Gunplay is a staple of modern filmmaking. Consider what’s on screens in theatres right now, even as Newtown mourns its dead: Killing Them Softly, Skyfall, Jack Reacher. Consider that movies such as Marvel’s The Avengers, The Dark Knight Rises, The Hunger Games, Taken 2, The Amazing Spider-Man, Men in Black 3 and The Bourne Legacy have been among the most profitable films of the year.
This is not to suggest that gun violence be scoured from the movie industry — an impossible and impractical idea. Nor is it a plea for Hollywood to return to a kind of Hays Code as far as guns are concerned.
But in memory of the children of Newtown — zip code 06470 — could some single calendar year (perhaps 2017, given existing post-production timetables) be one in which Hollywood’s studios forgo, for merely 12 months, the release of motion pictures that portray gun violence? And in so doing, could the creative minds of the movie industry begin, in their own way, to blunt the national American obsession with bullet-riddled death? To my mind, Hollywood has an opportunity here, once more, to lead — and to accomplish, however incrementally, what America’s atrophied politics cannot.